Right On Time.mp3

Always.mp3

Pretty soon he should have his demo tracks ready to go.  More to come…

I Turned Out For You.mp3

Justin Strackany  (shown here) came over last night to see if we could work together (which we do in real life) on recording some demo tracks for his approaching foray into “playing out” again for the first time in years.  The result, “Glen Tipton” is a catchy, Nick Drake-ish tune that I find myself listening to multiple times.  We did it in about two takes (way to go Justin) and there will be more Justin to follow.  If you’re wondering who “K K Venton” is (I certainly was), I believe Justin really meant K K Downing, one of the guitar players for Judas Priest.  But the song doesn’t flow as well with that lyric, so we kept the former.

Oh, and yeah , we celebrated with four Cuban cigars, three bottles of wine, and one broken Waterford Lisemore large goblet.  Guess who broke it?  I’ll never tell…

Tech specs on the recording:

• Justin’s Yamaha guitar
• Justin’s voice
• Apogee Duet FW audio interface
• Shure KSM32 on guitar
• Rode NTK tube mic on vocals
• Recorded into Logic Pro 8

Glen Tipton.mp3

I bought the base  (if you can call an eight Xeon system base) entry-level 8-way MacPro – upgrading to better CPUs, etc. just didnt’ seem worth the expense.

However, I went ahead and purchased a few extras to configure this machine as a truly “one stop shop” for all my music production needs – I’ll discuss my final configuration in a bit.

Out of the box, this thing looks and performs awesome!  I did a couple of tests with it, one a DVD to H264 conversion, the other a Logic project performance test.  Both were somewhat subjective, but here’s what I found:

• The DVD conversion process was about 10x faster than on my MacBook (my MacBook is a Core Duo, not Core 2 – but 10x is pretty amazing) – took about 12 minutes!
• The music test was much more subjective – however, anyone that’s done any Logic’ing on an older MacBook probably gets this.  On my MacBook, I had a 24 track project with a few plug-ins, using an Apogee Duet, A Powercore Firewire, and a Focusrite LiquidMix.  Sometimes, starting up a project I would get system overload errors, disk speed errors, etc. and couldn’t get it to play.  Usually, playing it over and over it would eventually cache (I think) enough info that I could mix the session.  With the MacPro?  Let’s just say that even running most of my audio data off a USB2.0 drive (leaving the Firewire bus for audio I/O and the Powercore and LiquidMix), I was able to launch my test project flawlessly, it never burped at all and the CPU monitors (yes, all EIGHT of them) didn’t even register that anything was going on!

My current config is that I have a 320Gb OS drive, and all my music files are stored on two external USB2.0 drives – one for my project files, and one for audio files and virtual instruments.  I found that even on the MacPro, it’s better not to do disk I/O on the same bus as audio I/O – I always seem to get noise of some kind at some point.  Separating out the disk I/O from the audio I/O and plug-in processing seems to fix any problems.  I am runnin 2Gb of memory.

However, here’s how it will look soon:

• - (8) 2.8Ghz Xeon CPU
• 10Gb memory
• 320Gb system / OS drive
• 1.5TB project drive
• 1.5TB virtual instrument / sample drive

The drives are all 3GB/s SATA drives hosted right in the computer – NewEgg had a screaming deal on 1.5TB Seagates ($189!) that I couldn’t pass up.  Now, I won’t need to use ANY USB2.0 while doing music production.  I will use my existing external drives as backup drives for the internal drives – so nothing’s wasted.  I don’t need RAID – it’s probably overkill – but at some point if I needed even more performance I would trick it out with a SAS (Serial Attached SCSI) option – but I doubt I will need to.  This still leaves me with an empty internal bay as well.

Can’t wait to get it all configured this way, I expect I will be able to run virtually unlimited tracks / plug-ins, etc.  Plus, if I run out of CPU room, I can always use my MacBook as a LogicNode!

I added a little instrumentation and remixed this years-old Acid track in Logic Pro.  Used the opportunity to learn about FX automation (note the vocal delays) – so it was a good learning experience. 

This was an experiment I did last weekend.  Jon Mellen and I modified the lyrics and music to one of his tunes, just coming up with a verse and a chorus.  We then recorded it over a piano and a click.

I then used Logic 8 and an assortment of plugins and virtual instruments to test a full production.  Turned out ok, considering it’s the first time doing this on the Mac and with Logic.

I did get to use some cool tools while doing this, including:

• Softube’s Amp Room (on rhythm guitars) and Acoustic Feedback (on the lead guitar)
• Steinberg’s Virtual Guitarist 2 (acoustic guitars)

If we were going to finish this, we’d obviously write a couple of more verses, but you get the idea.  Repetitive, but hey, it was a test project.

The cool Henry Rollins and a couple of the prints are by way of Gabe Richesson.  He’s an awesome artist and a friend of mine – I love his work.  He also has a website that I helped him with, though he mostly just keeps his blog updated.

 While were were able to cut some rough guitar / vocal demo tracks, we had a few problems with the PC and eventually switched over to ProTools on my MacBook and things went flawlessly.

Even installing all the right firewire patches, etc. on my PC didn’t make it run smoothly – I would still get blue screens from time to time when running firewire devices during both recording and playback.

 Therefore, here’s my new rig:

•  Apple MacBook 2.0Ghz Core Duo, 80GB HD, 2GB RAM
• 2×500GB Maxtor OneTouchPlus 4 FW/USB 2.0 HD (one for audio tracking, one for libraries and instrument files)
• 1×750GB Maxtor OneTouch Plus 4 FW/USB 2.0 HD (for backup)
• ProTools MBox2 Pro Factory Bundle w/ProTools LE 7.X
• Steinberg Cubase 4
• TC Electronic Powercore Firewire
• Focusrite LiquidMix
• Event Studio Precision 6 Monitors
• KRK RP-5 Powered Monitors w/RP-10S Powered Subwoofer
• Alesis Monitor One Monitors

I have a pretty nice selection of mics and a couple of decent pre-amps, but need to add more in this category, especially the pre-amps:

• Neumann TLM 103 Studio Condenser
• Blue Dragonfly Studio Condenser
• Shure KSM-42 Studio Condenser
• Rode NTK Studio Tube Condenser w/Pre
• DBX 586 Dual Tube Pre w/Digital I/O Option
• Tons of miscellaneous dynamic and lower end condenser mics

I also have some interesting outboard gear, some of which isn’t in high utilization any longer but I’ll list it here for information purposes:

• TC-Helicon VoicePrism Plus
• Electrix WarpFactory
• 2x Alesis ADAT-XT20
• Sony PCM-500 DAT
• MOTU Midi Timepiece

This is the stuff that only works on my PC and thus probably won’t get used much anymore:

• MOTU 2408 MKIII Core
• Sonic Foundry Acid Pro 6.0
• Sonic Foundry SoundForge 8.0
• Tascam Gigastudio Orchestra 3 (might use a PC to run this as it sounds great)

Some other audio interfaces I have lying around:

• Tascam / Frontier US-428 (remember this?)

Software Synths and Instruments (some Mac, some PC, some both):

• Steinberg The Grand
• Steinberg Virtual Guitarist
• Steinberg VG Acoustic Edition
• BFD
• BFD 2
• Spectrasonics Stylus
• Spectrasonics Stylus RMX
• Spectrasonics Atmosphere
• Spectrasonics Trilogy

Finally, I am experimenting with VMWare Fusion – I think I will be able to track into Acid on my Mac, then send the files over to ProTools for mixdown and production.  I will update you more on this as I learn more, as it sure would be nice to be able to do this so I can still use my cool Sony software and my Gigistudio.  Gotta figure out how all the disk stuff works though.