Category — Music

So I wrote a little chord progression for a song, and my boys Ben Smith and Matt Parmenter decided to make it happen one night.  They just slapped some stuff on top of my riff and this is the result.

I laughed my ass off when I heard this.  No, it’s not PC.  So what?  It was pretty funny considering all they had was the piano track.  I am not sure, but that may be me playing the drums..

Enjoy “Shake for Me” ’cause I know I did.

Shake For Me.mp3

I met Ben Smith and Matt Parmenter, two dudes from out of state that now live in Austin, when  Matt purchased my two Vocal Booth sound isolation booths last month (sorry about the missing parts guys!).  I just didn’t have room for them anywhere.

Now – I am starting to work on music with these guys and I got to tell you it’s a blast.  Both are very talented musicians in their own right, and I’ve been lucky enough to get to remix some of their stuff.

Matt plays bass in a great Austin banned called Quite Company – they also have a myspace page.

Matt and Ben both also play with James Kinney, a local Austin musician.  I am going to see them at Speakeasy on April 30th, time permitting.

This song is fully realized on Ben’s myspace page, but here’s the acoustic version I whipped up last week.  Just Ben and his guitar.  His vocals and songwriting talent really shine on  this one.

missed-connection-acoustic-vocal-2

A couple more artifacts from last weekend.  Admittedly, we rushed these so the production value could be better, and we had a couple of noisy spots that couldn’t be helped.  But here they are for your listening pleasure.

Right On Time.mp3

Always.mp3

Justin and I recorded this tune of his at my house last weekend.  I added a little mixin’…

Pretty soon he should have his demo tracks ready to go.  More to come…

I Turned Out For You.mp3

Justin Strackany  (shown here) came over last night to see if we could work together (which we do in real life) on recording some demo tracks for his approaching foray into “playing out” again for the first time in years.  The result, “Glen Tipton” is a catchy, Nick Drake-ish tune that I find myself listening to multiple times.  We did it in about two takes (way to go Justin) and there will be more Justin to follow.  If you’re wondering who “K K Venton” is (I certainly was), I believe Justin really meant K K Downing, one of the guitar players for Judas Priest.  But the song doesn’t flow as well with that lyric, so we kept the former.

Oh, and yeah , we celebrated with four Cuban cigars, three bottles of wine, and one broken Waterford Lisemore large goblet.  Guess who broke it?  I’ll never tell…

Tech specs on the recording:

• Justin’s Yamaha guitar
• Justin’s voice
• Apogee Duet FW audio interface
• Shure KSM32 on guitar
• Rode NTK tube mic on vocals
• Recorded into Logic Pro 8

Glen Tipton.mp3

Ok, so the new hard drives arrived.  Two gloriously bubble wrapped 1.5TB Seagate Barracuda 7200 RPM drives from NewEgg.com.  Now, I have heard some complaints about their shipping, and about these drives – so I upgraded to FedEx shipping and both my drives seem to working flawlessly.  Installing a new hard drive in a MacBook pro is perhaps the easiest drive install I’ve ever done.  Just four screws for the caddy, and the rest was without tools and painless.

I have decided (since I already did a Logic install) that I will leave the “vanilla” logic install, including Jam Packs and all that jazz, on the 320Gb system drive.  After all it’s on the same SATA controller as the other drives anyway.  Henceforth, however, all samples, content, instruments, etc. will go on the Media Library drive – the new Barracuda.

All my project data goes on the other Barracuda.

It’s taking about three hours to copy over my 200gb+ of samples and instruments, but I am sure this is primarily because of the speed of the USB 2.0 external drive I am copying from.

Oh, as an aside, my MacMini is now my “main” computer – dunno what I am going to do with all those PCs I’ve accumulated.  I went ahead and purchased the elgato Turbo.264 and have to say that I LOVE it.  Whereas before if I was encoding a DVD to AppleTV, I could basically do nothing on my mini, now I can read email, even watch another video, while encoding.  And the quality is great.  I highly recommend this product.

More to come when the memory arrives, I load up a lot of instruments, and we try this rig out.

Well, I just ruined my Christmas and birthday for the next two years!  I had to agree that I wouldn’t buy another computer until after 2010 to get it, but I finally broke down and bought a new MacPro – and holy cow does it rock!

I bought the base  (if you can call an eight Xeon system base) entry-level 8-way MacPro – upgrading to better CPUs, etc. just didnt’ seem worth the expense.

However, I went ahead and purchased a few extras to configure this machine as a truly “one stop shop” for all my music production needs – I’ll discuss my final configuration in a bit.

Out of the box, this thing looks and performs awesome!  I did a couple of tests with it, one a DVD to H264 conversion, the other a Logic project performance test.  Both were somewhat subjective, but here’s what I found:

• The DVD conversion process was about 10x faster than on my MacBook (my MacBook is a Core Duo, not Core 2 – but 10x is pretty amazing) – took about 12 minutes!
• The music test was much more subjective – however, anyone that’s done any Logic’ing on an older MacBook probably gets this.  On my MacBook, I had a 24 track project with a few plug-ins, using an Apogee Duet, A Powercore Firewire, and a Focusrite LiquidMix.  Sometimes, starting up a project I would get system overload errors, disk speed errors, etc. and couldn’t get it to play.  Usually, playing it over and over it would eventually cache (I think) enough info that I could mix the session.  With the MacPro?  Let’s just say that even running most of my audio data off a USB2.0 drive (leaving the Firewire bus for audio I/O and the Powercore and LiquidMix), I was able to launch my test project flawlessly, it never burped at all and the CPU monitors (yes, all EIGHT of them) didn’t even register that anything was going on!

My current config is that I have a 320Gb OS drive, and all my music files are stored on two external USB2.0 drives – one for my project files, and one for audio files and virtual instruments.  I found that even on the MacPro, it’s better not to do disk I/O on the same bus as audio I/O – I always seem to get noise of some kind at some point.  Separating out the disk I/O from the audio I/O and plug-in processing seems to fix any problems.  I am runnin 2Gb of memory.

However, here’s how it will look soon:

• - (8) 2.8Ghz Xeon CPU
• 10Gb memory
• 320Gb system / OS drive
• 1.5TB project drive
• 1.5TB virtual instrument / sample drive

The drives are all 3GB/s SATA drives hosted right in the computer – NewEgg had a screaming deal on 1.5TB Seagates ($189!) that I couldn’t pass up.  Now, I won’t need to use ANY USB2.0 while doing music production.  I will use my existing external drives as backup drives for the internal drives – so nothing’s wasted.  I don’t need RAID – it’s probably overkill – but at some point if I needed even more performance I would trick it out with a SAS (Serial Attached SCSI) option – but I doubt I will need to.  This still leaves me with an empty internal bay as well.

Can’t wait to get it all configured this way, I expect I will be able to run virtually unlimited tracks / plug-ins, etc.  Plus, if I run out of CPU room, I can always use my MacBook as a LogicNode!

Around The Block.mp3

I added a little instrumentation and remixed this years-old Acid track in Logic Pro.  Used the opportunity to learn about FX automation (note the vocal delays) – so it was a good learning experience. 

How Do I Get Through.mp3

This was an experiment I did last weekend.  Jon Mellen and I modified the lyrics and music to one of his tunes, just coming up with a verse and a chorus.  We then recorded it over a piano and a click.

I then used Logic 8 and an assortment of plugins and virtual instruments to test a full production.  Turned out ok, considering it’s the first time doing this on the Mac and with Logic.

I did get to use some cool tools while doing this, including:

• Softube’s Amp Room (on rhythm guitars) and Acoustic Feedback (on the lead guitar)
• Steinberg’s Virtual Guitarist 2 (acoustic guitars)

If we were going to finish this, we’d obviously write a couple of more verses, but you get the idea.  Repetitive, but hey, it was a test project.

The Voices.mp3

Megan and I worked on some more tunes last night.  Other than a misdirected mic (don’t ask!), no more tech woes.  This is a song I wrote about fifteen years ago.  Megan picked it up and comped on the keys while she sang.  With a little work I think we’ll have a pretty nice track.